7/27/2023 0 Comments Chord quality ear trainerIf you play the examples in this chapter repeatedly until you have memorized the sound and feel of them in your daily piano practice, you will greatly increase your speed and accuracy in identifying them in quizzes. Here, it indicates I-V 6/5-I.Ĭhord patterns in harmonic dictation are both logical and predictable. The I-vi-IV progression can easily be confused with its variant, **I-vi-ii 6, so again, check the chord quality before making an analysis.īass movement do, ti, do isn’t necessarily I-vii o-I. a deceptive cadence.īass movement do, la, fa here indicates the “doo-wop” progression we studied earlier in this chapter. Chord ii, as you know, is minor, whereas chord IV is major.īass movement do, sol, la indicates I-V-vi, i.e. Tip: identify these by their chord qualities. ii 6 is easily confused with chord IV because the bass note is the same. In the first example, the chord is ii 6, and in the second example, it’s IV. Mi in the bass almost always signifies I 6, not iii.īass movement do, mi, sol: Again, mi in the bass signifies I 6, not iii.īass movement do, fa, re: it is possible for IV to precede ii.īass movement do, fa, mi: again, mi in the bass is not chord iii.īass movement do, fa, sol: this indications a pre-dominant function on the second chord. It is therefore very logical to propose that the next chord is V.īass movement do, mi, fa: Many will be tempted to identify a chord with mi in the bass as chord iii. Here, the dominant function is taken by vii o6.īass movement do, re, sol: re in the bass voice indicates chord ii, which has pre-dominant function. I-V 6/4-I 6 is a logical choice, because the second inversion dominant triad (known as “the passing 6/4”) leads smoothly into the first inversion tonic triad.īass movement do, re, mi has other possibilities. But this progression is not possible: while chord I can definitely go to chord ii, ii cannot go to iii. These ear training exercises, if practiced with regularity, will improve your musical awareness, ability to identify chord qualities, harmonic progressions, and melodic movement. Bass movement do, re, mi: first-time learners are often tempted to analyze this root movement as a predictor for I-ii-iii.Remember, there are strict rules about which chords can go to which. And in section 4, Ill share some more ear training resources with you. This will help you greatly in predicting the progression. Find out exactly how to learn melodies, riffs or chord progressions by ear with. When analyzing a harmonic progression, start by listening to the root movement, i.e. Ear Training - Root Movement in Chord Progressions Analysis
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